Miyaga oʻrnashib qoladigan kuy

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Miyaga oʻrnashib qoladigan kuy (inglizcha: Earworm), shuningdek, miya qurti[1], yopishqoq musiqa, tiqilib qolgan qoʻshiq sindromi[2], yoki koʻpincha, quloq qurtlaridan soʻng hosil boʻluvchi ixtiyorsiz musiqiy tasvirlar (IMT)[3][4][5][6][7] deb ham ataladi. Bu ijro etilmagan paytda ham odamning ongini doimiy ravishda egallab turadigan jozibali va/yoki esda qolarli musiqa yoki soʻz[8][9]. Yorliq sifatida ixtiyorsiz musiqiy tasvirlar faqat quloq qurtlari bilan chegaralanib qolmaydi. Musiqiy gallyutsinatsiyalar ham, garchi ular bir xil boʻlmasa-da, ushbu toifaga kiradi[4][10]. Quloq qurtlari ixtiyorsiz xotiraning keng tarqalgan turi hisoblanadi[11]. Quloq qurtlarini tasvirlash uchun tez-tez qoʻllaniladigan iboralarning baʼzilari „musiqiy tasvirni takrorlash“ va „ixtiyorsiz musiqiy tasvir“ kabi jumlalarni oʻz ichiga oladi[1][12][13].

Quloq qurti, yaʼni, inglizcha: earworm soʻzi, nemis tilidagi Ohrwurm soʻzining kalkasi — nusxasidir[14][15]. Eng qadimiy ingliz tilida yozilgan Desmond Bagleyning 1978-yilgi Flyaway romanida kitob muallifi soʻzning asosini nemischadan kelib chiqqanligiga ishora qiladi[16].

Ushbu hodisani oʻrgangan tadqiqotchilar orasida Theodor Reik[17], Sean Bennett[18], Oliver Sacks[19], Daniel Levitin[20], James Kellaris[21], Philip Beaman[22], Vicky Williamson[23], Diana Deutsch[24] va Peter Szendy[25] va yana boshqa olimlar mavjud. Bu hodisani eshitish gallyutsinatsiyasi olib keladigan miyaning temporal quloq yumshoq qismiga zarar yetkazish natijasida yuzaga kelgan noyob tibbiy holat — palinakuzis bilan aralashtirib yubormaslik kerak[26].

James Kellaris tomonidan olib borilgan tadqiqotlarga koʻra, odamlarning 98 %i quloq qurtlarini boshdan kechirishdi. Ayollar va erkaklar bu hodisani teng ravishda tez-tez boshdan kechiradilar. Ammo, quloq qurtlari ayollarda uzoqroq davom etadi hamda ularni koʻproq bezovta qiladi. Kellarisning statistik maʼlumotlarga koʻra, soʻzlari taʼsirli boʻlgan qoʻshiqlar quloq qurtlarining 73,7 % ni tashkil qilishi mumkin, instrumental musiqa esa atigi 7,7 % ni tashkil qiladi[26].

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  1. ↑ 1,0 1,1 Sacks, Oliver. Musicophilia: Tales of Music and the Brain. First Vintage Books, 2007 — 41–48 bet. ISBN 978-1-4000-3353-9. 
  2. ↑ Chatterjee, Rhitu. „Earworms: Why songs get stuck in our heads“. BBC News (2012-yil 7-mart).
  3. ↑ Jakubowski, Kelly; Finkel, Sebastian; Stewart, Lauren; Müllensiefen, Daniel (2017). "Dissecting an earworm: Melodic features and song popularity predict involuntary musical imagery". Psychology of Aesthetics, Creativity, and the Arts (American Psychological Association (APA)) 11 (2): 122–135. doi:10.1037/aca0000090. ISSN 1931-390X. https://www.apa.org/pubs/journals/releases/aca-aca0000090.pdf. 
  4. ↑ 4,0 4,1 Williams, T. I. (2015). "The classification of involuntary musical imagery: The case for earworms". Psychomusicology: Music, Mind, & Brain (American Psychological Association) 15 (1): 5–13. doi:10.1037/pmu0000082. https://centaur.reading.ac.uk/40630/2/Classification%20of%20INMI%20revision%203%20-%20Centaur.pdf. 
  5. ↑ Williamson, Victoria J.; Jilka, Sagar R.; Fry, Joshua; Finkel, Sebastian; Müllensiefen, Daniel; Stewart, Lauren (2011-09-27). "How do "earworms" start? Classifying the everyday circumstances of Involuntary Musical Imagery". Psychology of Music 40 (3): 259–284. doi:10.1177/0305735611418553. 
  6. ↑ Filippidi, I.; Timmers, R. (2017). "Relationships between everyday music listening habits and involuntary musical imagery: Does music listening condition musical imagery?". Psychomusicology: Music, Mind, & Brain (American Psychological Association) 27 (4): 312–326. doi:10.1037/pmu0000194. 
  7. ↑ Jakubowski, Kelly; Farrugia, Nicolas; Halpern, Andrea R.; Sankarpandi, Sathish K.; Stewart, Lauren (2015-11-01). "The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday life". Memory & Cognition 43 (8): 1229–1242. doi:10.3758/s13421-015-0531-5. ISSN 1532-5946. PMID 26122757. PMC 4624826. //www.pubmedcentral.nih.gov/articlerender.fcgi?tool=pmcentrez&artid=4624826. 
  8. ↑ „Oxford Dictionaries: "earworm"“. Oxford University Press. 2015-yil 14-noyabrda asl nusxadan arxivlangan. Qaraldi: 2013-yil 4-iyul.
  9. ↑ Halpern, Andrea R.; Bartlett, James C. (2011-04-01). "The Persistence of Musical Memories: A Descriptive Study of Earworms". Music Perception 28 (4): 425–432. doi:10.1525/mp.2011.28.4.425. ISSN 0730-7829. https://online.ucpress.edu/mp/article-abstract/28/4/425/62495/The-Persistence-of-Musical-Memories-A-Descriptive?redirectedFrom=fulltext. 
  10. ↑ Hemming, J.; Merrill, J. (2015). "On the distinction between involuntary musical imagery, musical hallucinosis, and musical hallucinations". Psychomusicology: Music, Mind, & Brain (American Psychological Association) 25 (4): 435–442. doi:10.1037/pmu0000112. 
  11. ↑ Moeck, E. K.; Hyman, I. E; Takarangi, M. K. Y. (2018). "Understanding the overlap between positive and negative involuntary cognitions using instrumental earworms". Psychomusicology: Music, Mind, & Brain (American Psychological Association) 28 (3): 164–177. doi:10.1037/pmu0000217. 
  12. ↑ Liikkanen, L. A. (2012). "Inducing involuntary musical imagery: An experimental study". Musicae Scientiae 16 (2): 217–234. doi:10.1177/1029864912440770. http://www.helsinki.fi/~liikkane/2011-INMI-MusSci.pdf. 
  13. ↑ Liikkanen, Lassi A. (2008). "Music in Everymind: Commonality of Involuntary Musical Imagery". Proceedings of the 10th International Conference on Music Perception and Cognition (ICMPC 10) (Sapporo, Japan): 408–412. ISBN 978-4-9904208-0-2. Archived from the original on 2014-02-03. https://web.archive.org/web/20140203150256/http://i.org.helsinki.fi/lassial/files/publications/080904-Music_in_everymind_pdf.pdf. 
  14. ↑ „earworm“ (Wayback Machine saytida 2014-10-15 sanasida arxivlangan), wordspy.com
  15. ↑ „Ohrwurm“, www.dwds.de
  16. ↑ Kruszelnicki. „The earworms you can't get out of your head“ (en). ABC Radio National (2016-yil 29-noyabr). Qaraldi: 2022-yil 1-may.
  17. ↑ Reik, Theodor. The Haunting Melody: Psychoanalytic Experiences in Life and Music. New York: Grove Press, 1953. 
  18. ↑ Bennett, Sean (August 30, 2002). Musical Imagery Repetition (Master). Cambridge University.
  19. ↑ Sacks, Oliver. Musicophilia: Tales of Music and the Brain. First Vintage Books, 2007 — 41–48 bet. ISBN 978-1-4000-3353-9. 
  20. ↑ Levitin, Daniel. This Is Your Brain on Music: The Science of a Human Obsession. New York: Dutton, Penguin, 2006. ISBN 0452288525. 
  21. ↑ Kellaris, James J. (Winter 2001). "Identifying Properties of Tunes That Get 'Stuck in Your Head'". Proceedings of the Society for Consumer Psychology (Scottsdale, Arizona: American Psychological Society): 66–67. 
  22. ↑ "Earworms (stuck song syndrome): towards a natural history of intrusive thoughts". British Journal of Psychology 101 (Pt 4): 637–653. November 2010. doi:10.1348/000712609X479636. PMID 19948084. https://zenodo.org/record/894433. 
  23. ↑ Chatterjee, Rhitu „Earworms: Why songs get stuck in our heads“. BBC News (2012-yil 6-mart). Qaraldi: 2012-yil 7-mart.
  24. ↑ Deutsch, D. „Catchy Music and Earworms“,. Musical Illusions and Phantom Words: How Music and Speech Unlock Mysteries of the Brain. Oxford University Press, 2019 — 116–127 bet. ISBN 9780190206833. 
  25. ↑ Szendy, Peter. Hits. Philosophy in the Jukebox, translated by William Bishop, Fordham University Press, 2012. 
  26. ↑ 26,0 26,1 Moore, David R.. The Oxford Handbook of Auditory Science: The Auditory Brain. Oxford University Press, January 21, 2010 — 535 bet. ISBN 9780199233281. 2013-yil 3-iyulda qaraldi. 

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